Cindy Wright - Dead Poetry

07.09-04.11

We will bring 2018 to a close with an overview of the recent work of Cindy Wright. Her hyper-realistic paintings, in which decay and transience are a leitmotif, will be combined with the creation of a new soundscape by the Dutch composer/lute player Jozef van Wissem.

Wright’s paintings look deceptively 'real'. In addition to a masterful representation of flowers, plants or insects, her work also carries an intrinsic ecological concern. 

Mortality and vulnerability have long been at the heart of Cindy Wright's work. She depicts flesh and fleshliness in a direct, almost brutal way. She is inspired by the 'nature morte', still lifes that occupy a prominent place in the history of Western painting.

But Wright's still lifes are more than that. They confront the visitor without moralising. They raise ethical and aesthetic questions about our contemporary society. How do we deal with death, transience and vulnerability today? What does it mean to be human? Where does the brutality of being human hide? What is our position with regard to the food (including animals) we eat? How do we treat the earth on which we live? What do we do or not do about it?

These themes form the core of the hyper-realistic paintings exhibited in Gaasbeek Castle. Where self-made photographs form the basis of her works, it is ultimately pure matter - the brush and the paint - that determines the appeal of her work. Visual connections between her paintings and the rooms of the castle turn this exhibition into an impressive balancing act.

Details: from Friday 7 September to Sunday 4 November 2018, open daily except Mondays, from 10.00 am to 6.00 pm (no admittance after 5.00 pm), open on public holidays . Tickets cost € 12, discount and group rate € 10, under 18 € 2, under 7 free. 

Joke Beyl

Press and communications officer, Gaasbeek Castle

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About Gaasbeek Castle

Gaasbeek Castle sits enthroned amidst the rolling hills of Pajottenland just outside Brussels. The medieval castle has had an eventful history, evolving from a strategic stronghold to a spacious country house. The Count of Egmond, was one of its best-known owners. The present building was given its romantic restyling at the end of the nineteenth century by the enigmatic French Marchioness Arconati Visconti. She was the daughter-in-law of aristocrats Giuseppe and Costanza Arconati Visconti, who, between 1821 and 1839, turned the castle into a unique meeting place for intellectual exchanges between exiled Italian politicians, European writers and scientists. Marie Arconati Visconti was also interested in the great intellectual debates of her time, as her correspondence with and support for Alfred Dreyfus testify. She set up the castle as a museum for her considerable art collection and treated it like a historical theatre set. The dream castle created then is still something of a time machine with its historic interiors, tapestries, paintings, furniture, sculptures and other valuable objects.

The castle park, with its centuries-old trees, ponds, lanes, winding paths and occasional historic buildings, is the ideal place for winding down. The estate also includes a unique museum garden where old varieties of fruit and vegetables are cultivated. 

Contact

Kasteelstraat 40 1750 Gaasbeek (Lennik)

+3225310130

kasteelvangaasbeek@vlaanderen.be

www.kasteelvangaasbeek.be